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The movie opens with Richard Jenkins and Bradley Whitford as two seemingly mundane office workers, preparing for their day of work. Little do we know, they are the puppet masters behind the whole horror show we're about to see. The filmmakers deliberately started the movie with this scene to throw audiences off and have them questioning if they walked into the wrong theater. Given the inventive, hilarious and brilliant nature of the script, it might not be shocking to learn that the movie was written by Joss Whedon and Drew Goddard.

The two extremely talented filmmakers came together for this collaboration after both coming off failed projects. According to the men, they sought to challenge themselves with writing a movie as fast as possible. They reportedly sealed themselves in a hotel room for three days, went on an epic writing marathon, and when they emerged, they had a first draft of the script. Aside from being a great genre film, Cabin in the Woods is also known for being one of Chris Hemsworth's earliest Hollywood projects.

Though Hemsworth is not the lead of the film, it did help springboard him into bigger projects, including the MCU. Joss Whedon even chose him as the perfect actor for Thor, encouraging Marvel to audition him again. The scene in that shows the office betting pool for these monsters gives a hint at just how many creatures are in play here.

While many of the monsters listed in this scene are seen in action during the climax, there are some that don't get their time to shine. Some of the creatures include demons, the bride, snowman and something named "Kevin". Another scene that is great to explore on repeat viewings is the big shot of all the cages which house the monsters.

We get to see some of these cages up close and some of the monsters appear later, but there's a lot of interesting creatures hidden in this massive shot. Many fans have been able to catch the fact that some characters from the video game Left 4 Dead appear in these cages. The original plan was for there to be a tie-in between the game and the movie, but those plans were abandoned after MGM went out of business. Though Cabin in the Woods is certainly an original film, it does pay loving homage to a number of horror classics.

Even the title of the film is a nod to The Evil Dead. But while the filmmakers some of the most entertaining references involve the monsters and the various films they draw inspiration from. There are the "Hell Lords" which are inspired by Pinhead from Hellraiser. There's the alien beast from Alien. There's the killer clown from It.

And some fans have speculated that Kevin is a nod to the sadistic character of the same name from Sin City. Joss Whedon is something of a geek icon. Even before he brought the Avengers together on the big screen, Whedon was known for his wildly popular Buffy the Vampire Slayer series as well as the short-lived but beloved Firefly series.

Clearly Whedon knows something about fan service and is willing to throw in a few nods to his fans in his other films. Many fans theorize that the monsters are actually the pets of the Ancient Ones , and are waiting to be set free to re-unite with their owners. They also believe that some of the monsters ultimately helped in getting Dana and Marty into the Facility for the express purpose of being released from their cells during The Purge.

Though it is also possible some or all of the surviving monsters were killed when one of the released Ancient Ones destroyed the Facility, it is equivalently speculated some monsters may have survived given their supernatural, magical or undead nature. Sitterson standing in front of the betting board that all the departments take part in. This wiki. This wiki All wikis. Sign In Don't have an account? Start a Wiki. Monsters in every single one. It's the CostCo of death. Categories :. Universal Conquest Wiki.

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Active Oldest Votes. Alien Beast - Generic reference to alien creatures. Night of the Demons. Dismemberment Goblins - Seen on the betting board and listed on credits. Doll Faces Possibly summoned by matching doll face masks in basement - Specific reference to The Strangers. Dragonbat - Unique creation ex. Graveyard Shift. Evil Surgeons - Generic reference to evil medical staff ex. Giant - Generic fantasy reference ex. King Cobra. Eight Legged Freaks. The puzzle orb references Pinhead's Puzzle Box - also from Hellraiser.

Kevin - Seen on betting board. Possible reference to Sin City. Kraken - Generic fantasy reference ex. Merman Summoned by Conch - Generic fantasy reference ex. Creature from the Black Lagoon. The Mummy. Wrong Turn. The Reanimated - Possible reference to Re-Animator film. Probable reference to Reptilicus. Scarecrow Folk - Generic reference to Killer Scarecrow subgenre ex.

Dark Night of the Scarecrow. The Craft. Jack Frost. Unicorn - Generic fantasy reference. The Wolf Man. Darkness Falls. Night of the Living Dead. Improve this answer. Valorum k gold badges silver badges bronze badges. Fornicus' Puzzle Sphere. True, I haven't been able to find a comprehensive list yet. I'll stop by the book store tonight and see if they have a copy to go over. Puzzle sphere could elude to the puzzle cube from Hellraiser?

OghmaOsiris That kind of goes with the Cenobites, which were also from Hellraiser, but it makes sense to be more explicit about that. I'll change it. Additional production note: The 'alien beast' was originally supposed to be an Alien, in tribute to Sigourney Weaver's guest appearance, but the rubber suit wasn't good enough so it was deleted from the glass cubes. Adam Adam 71 1 1 silver badge 2 2 bronze badges.

It would probably be simpler to list what weren't references, but I just saw it today, so I'll give it a start as a community wiki: Lord Fornicus name from the credits was clearly a Cenobite from the Hellraiser series, The Japanese ghost which is ultimately contained by the schoolgirls is a reference to Samara from the Ring or Ringu, for purists , Deadites from the whiteboard where they're placing bets are a reference to Evil Dead, Angry molesting tree also from the whiteboard is also a reference to Evil Dead, The clown was clearly a reference to Pennywise from Stephen King's It The zombies were clearly of the Roger Corman variety That should be a good start.

Chris B. Zak Johnson Zak Johnson 41 1 1 bronze badge. Satyric Satyric 31 1 1 bronze badge. Quickdrawwobblyhand Quickdrawwobblyhand 19 1 1 bronze badge. More likely, I'm pretty sure the Jeepers Creeper monster was a scarecrow. Jenayah Shawn Shawn 19 2 2 bronze badges.

Sexy witches could be The Craft or Witches of Eastwick. Konarose Konarose 9 1 1 bronze badge. American college students Dana, Jules, Curt, Holden, and Marty are spending their weekend at a deserted cabin in the forest. From the lab, Sitterson and Hadley remotely control the cabin and manipulate the students by intoxicating them with mind-altering drugs that have effects such as hindering rational thinking and increasing libido.

The lab departments take bets on what kind of monster will attack the students and discuss the failures of international operations. In the cabin's cellar, the group finds bizarre objects, including the diary of Patience Buckner, a cabin resident abused by her sadistic family. Dana recites incantations from the diary and inadvertently summons the zombified Buckner family. Hadley releases pheromones to induce Curt and Jules to have sex outside. They are attacked by the zombies and Jules is decapitated while Curt escapes.

Marty discovers concealed surveillance equipment in his room before being dragged off by a zombie. The lab workers learn that the rite in Japan has also failed, meaning that the American rite is "humanity's last hope". Curt, Holden, and Dana attempt to escape in their RV , but Sitterson triggers a tunnel collapse to block them.

Curt attempts to jump a ravine on his motorcycle to seek help on the other side, but crashes into a force field and falls to his death. Holden and Dana realize that their experience is staged and controlled. As they try to escape in the RV, Holden is killed by a zombie, and Dana is attacked once the RV crashes into the lake.

The lab employees, seeing that Dana is the only survivor, celebrate the success of the rite, but are interrupted by a phone call from "The Director," revealing that Marty is still alive. Marty saves Dana and takes her to a hidden elevator he discovered. They descend into the lab and discover a large collection of different monsters locked in cages.

Dana correlates them with the objects in the cabin's cellar and realizes that the objects determine which monsters are released. Cornered by security personnel, the pair trigger a "Purge" button and release all the monsters, which wreak havoc and slaughter the staff.

Dana and Marty flee and discover an ancient temple, where they are confronted by The Director. She explains that worldwide annual rituals of human sacrifice are held to appease the Ancient Ones, a group of cruel subterranean deities. Each region has its own ritual, and the American ritual involves the sacrifice of five slasher film archetypes: the whore Jules , the athlete Curt , the scholar Holden , the fool Marty , and the virgin Dana.

The order of the killings is arbitrary as long as the whore dies first and the virgin dies last or survives. The Director urges Dana to kill Marty to complete the ritual and spare humanity, as all other rituals had failed that year.

Dana is about to but is attacked by a werewolf , while Patience kills The Director. Deciding that humanity is not worth saving, Dana apologizes to Marty for almost killing him and the two share a joint while awaiting their fate. The temple floor collapses and a giant hand emerges from the grounds, destroying the facility and the cabin. Joss Whedon co-wrote the script with Cloverfield screenwriter Drew Goddard , who also directed the film, marking his directorial debut.

Whedon described the film as an attempt to revitalize the horror genre. He called it a "loving hate letter" to the genre, continuing: [8]. I love being scared. The things that I don't like are kids acting like idiots, the devolution of the horror movie into torture porn and into a long series of sadistic comeuppances. Drew and I both felt that the pendulum had swung a little too far in that direction.

Concerning the sheer number of creatures to be designed and made for the film, AFX Studio's David LeRoy Anderson estimated that "close to a thousand" people were turned into one of around 60 different monster types. The producers told them to commence work on December 15, , ahead of the official January 1, , start date.

They only completed the work by the March 9, , production date because, as Anderson stated "We had nearly seventy people at peak, but in effect we had a hundred and forty people, because everybody had at least two jobs The underground complex, elevators, and the control room were all sets, but for several wide shots, the British Columbia Institute of Technology 's Aerospace building was used.

Production designer Martin Whist referred to Stanley Kubrick and commented: "It's very high-tech industrial, and it's a brand new building, never been shot in before I wanted [the elevators] to be without any controls The lobby I wanted to look slightly utilitarian, contemporary and institutional A tie-in of the film with the video game Left 4 Dead 2 had been planned, with the game seeing downloadable content based on the movie's settings.

However, due to MGM's financial problems, the game content was cancelled, but Valve allowed the studio to use monsters from Left 4 Dead 2 to populate the monster cells at the end of the film. The Cabin in the Woods was slated for wide release on February 5, , [13] [14] and then delayed until January 14, , so the film could be converted to 3D.

On March 16, , the Los Angeles Times reported the following: "New MGM chief executives Gary Barber and Roger Birnbaum are seeking to sell both Red Dawn and the horror film The Cabin in the Woods, the last two pictures produced under a previous regime, as they try to reshape the year-old company.

Had the bankruptcy not happened, we wouldn't have been in the right fit with the right people. Yes, it took two years longer than we wish it would've taken, but Lionsgate didn't make us change a frame and believed in what we were trying to do. If I had complained too much when MGM went bankrupt, we could have hurt ourselves.

We just held firm that we believed in the movie and that we would find the right home and time, and it did. It's hard, but you have to be very patient in Hollywood. A surprise early screening of the film was held at the Butt-Numb-A-Thon in December , attracting highly positive reactions. The site's critical consensus reads, " The Cabin in the Woods is an astonishing meta-feat, capable of being funny, strange, and scary — frequently all at the same time. Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, saying that " The Cabin in the Woods has been constructed almost as a puzzle for horror fans to solve.

Which conventions are being toyed with? Which authors and films are being referred to? Is the film itself an act of criticism? Travers praised Kristen Connolly and Fran Kranz for their performances, and wrote, "By turning splatter formula on its empty head, Cabin shows you can unleash a fire-breathing horror film without leaving your brain or your heart on the killing floor.

Even when the story sticks firmly in standard horror territory, this particular group of attractive kids is especially fun to spend time with You'll have to see it, and you really have to see it if you love horror, hate horror, or have any interest in seeing how the genre can function as a playground for something completely fresh.

Richard Jenkins and Bradley Whitford are involved, though in roles that are more fun to discover as you go along-- they do get a lot of the best jokes, though, and their scenes show a lot of Goddard's skill in handling the rhythm of a scene.

Jenkins and Whitford were also admired by The A. Club "Whitford and Jenkins clearly delight in the verbose script" and by Wired , whose reviewer granting 9 of 10 stars called Cabin "a smart sendup of horror movies and mythology Ann Hornaday of The Washington Post , giving the movie 3 of 4 stars, wrote:. A fiendishly clever brand of meta-level genius propels The Cabin in the Woods , a pulpy, deceivingly insightful send-up of horror movies that elicits just as many knowing chuckles as horrified gasps.

The danger in such a loftily ironic approach is that everything in the film appears with ready-made quotation marks around it But by then, the audience will have picked up on the infectiously goofy vibe of an enterprise that, from its first sprightly moments, clearly has no intention of taking itself too seriously.

Eric Goldman, writing for IGN , called the movie "an incredibly clever and fun take on classic horror movie tropes. By the time the ride is over, director Drew Goddard and co-writers Goddard and Joss Whedon will change course three or four times, nodding and winking but never losing momentum. Keith Phipps of The A. Club addressed " Cabin touches on everything from The Evil Dead and Friday The 13th to the mechanized mutilations of the Saw series while digging deeper into the Lovecraftian roots of horror in an attempt to reveal what makes the genre work It's an exercise in metafiction that, while providing grisly fun, never distances viewers.

And it's entertaining, while asking the same question of viewers and characters alike: Why come to a place you knew all along was going to be so dark and dangerous? Betsy Sharkey of the Los Angeles Times believed that the film "is an inside joke" and also said, "The laughs [in the film] come easily, the screams not so much. Too much overt cleverness has a way of spoiling dumb, reliable thrills. And despite the evident ingenuity and strenuous labor that went into it, The Cabin in the Woods does not quite work.

Two distinct kinds of movie are being yoked, by violence, together, and the performers inhabit their familiar roles with unusual wit. On April 13, , author Peter Gallagher filed a copyright infringement lawsuit in California federal court against the makers of the film. From Wikipedia, the free encyclopedia. Theatrical release poster. Release date. Running time. British Board of Film Classification. March 22, Archived from the original on December 1, Retrieved December 26, Entertainment Weekly.

Archived from the original on December 27,